On the aesthetic values that are to be found in the printed work of Bruce Rogers
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On the aesthetic values that are to be found in the printed work of Bruce Rogers by Rudolph Ruzicka

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Published by American Institute of Graphic Arts in New York .
Written in English

Subjects:

Places:

  • United States.

Subjects:

  • Rogers, Bruce, 1870-1957.,
  • Printing -- United States.

Book details:

Edition Notes

StatementRudolph Ruzicka.
ContributionsRogers, Bruce, 1870-1957, former owner., Frederic W. Goudy Collection (Library of Congress), Pforzheimer Bruce Rogers Collection (Library of Congress)
Classifications
LC ClassificationsZ232.R67 R9
The Physical Object
Pagination7 p., [1] leaf of plates :
ID Numbers
Open LibraryOL6048005M
LC Control Number49007499

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On the Aesthetic Values that are to be Found in the Printed Work of Bruce Rogers $ Bruce ROGERS Report on the Typography of the Cambridge University Press 1st ed. Boston: David R. Godine, 4to. cloth, dust jacket. xvi, , 2 pages. The work of Bruce Rogers, jack of all trades, master of one by Catalogue (4 copies) B.R. marks & remarks (2 copies) Barnacles from many bottoms (1 copies) Books designed by Bruce Rogers: exhibited in honor of his (1 copies) Bruce Rogers and American typography: a paper read to the by John Dreyfus (1 copies) On the aesthetic values. BOOK, THE PRINTED The book printed from moveable type represents a relatively late development in history. In tracing its progress in the West from the 15th century, this article focuses on those aspects of the printed book that are relevant to the fine arts, that is, the effect of its appearance as produced by type face, page design, and illustration.

John Howard Benson & his work, Life in the woods: Milton's L'Allegro. My life with paper an autobiography: New York revisited: Newark; a series of engravings on wood: Notes and journal of travel in Europe, On the aesthetic values that are to be found in the printed work of Bruce Rogers. Title: On the Aesthetic Values That Are to Be Found in the Printed Work of Bruce Rogers Author: Rudolph Ruzicka - Rudolph Ruzicka (29 June – 20 July ) was a Czech-born American wood engraver, etcher, illustrator, typeface designer, and book designer. Ruzicka designed typefaces and wood engraving illustrations for Daniel Berkeley. Inscribed on the first blank "Philip C. Duschnes with the regards of Bruce Rogers Christmas " The scarce privately printed volume of letters from Lawrence to Bruce Rogers, , chiefly in connection with Lawrence's translation of the Odyssey, designed and produced by Rogers. Also includes a note advertising a exhibition of Rogers' work and two cards printed by Colish. F88 Bruce Rogers obituaries Two clippings from unmarked proofs of a publication by Rudolf Ruczika entitled "The Aesthetic Values that are to be Found in the Works of Bruce Rogers," two keepsakes and four announcements for.

Discuss the contributions made to type design and book design by American designers Frederic Goudy, William Addison Dwiggins, and Bruce Rogers. Cite examples from the text. Chapter 11 Discuss the diferent approaches to art nouveau in France, England, and Germany by comparing the work of Aubrey Beardsley, Alphonse Mucha, and Jugend magazine. Albert Bruce Rogers, inspired by _____, applied the ideal of the beautifully designed book to commercial book production. T/F The first book to be printed by William Morris's Kelmscott Press was the page The Works of Geoffrey Chaucer. T/F In Japan, ukiyo-e practitioners were considered artisans, but it was European artists who found.   The trade edition produced along with a more limited one, both containing a page essay on the great and often under appreciated 20th century American book designer Bruce Roger's work at the Riverside Press, along with a checklist of the volumes printed there and reproductions in colors of some of his page s: 1. The idea of integral work, and of the relation of production values to literary ones, would influence artists across the aesthetic spectrum throughout the 20 th century and beyond while increasing appreciation of pre-modern—medieval and Renaissance—contributions to book design.